Saturday, November 30, 2013

photo Sasho That was Tuesday yellow freight night in Havana, we in the well-known climate-spatial


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Over the years Darko Rundek I have seen many times in many places, from the darkness of MCC, through the halls of the fair, under the open sky in the evening and Exit under the low ceiling of Havana. The whole time it went through various stages of dealing with the legacy of Haustor through imposed exile in France, re-finding her voice through solo albums and finally found his refuge in collaboration with Cargo orchestra. However, one thing never changed, he always remained his own, magical performer with charisma and magnetism, artist true to his voice and his work, no matter what you say, and it requires the audience.
photo Ranti For all these concerts he never shies away from his past, always yellow freight returning to his old songs from the 80s, but never the same way. Sufficiently aware of the value of their songs, like any great artist, he always tried to see the perspective of his then musical expression, allowing you to move from slightly karikiranje to their full improvisation and defragmentation, slithering around them tamburashkiot expression to give life, and finally reach the end and expansiveness in atmosferichnost filmichniot and theatrical sound cherish with his French comrades. When it got a little ahead of the audience who came to hear his last incarnation of which are used, but which nevertheless may be a bit disappointed, yellow freight but still remained intrigued enough to turn again to return. His music has stood the test of time and proved that Darko Rundek was not a random occurrence of rich musical heaven 80's in Yugoslavia, nor today in our new century tsunami surge of new music. In all of its transformations, you can always hear the inevitable copyright stamp on Rundek.
photo Sasho That was Tuesday yellow freight night in Havana, we in the well-known climate-spatial acoustic conditions yellow freight that no longer yellow freight deserve to be spomenati because all that smoke pot and still remain the most memorial concert. Evening, at least for me, I saw a Darko Rundek finally feel completely satisfied yellow freight and confident to be in complete control yellow freight of his art. Toa enables secure and Cargo orchestra which played for many years, yellow freight who initially did not understand a word of the songs they played, and are now so udomeni the Balkans and the music of the Croatian Rundek can communicate with the audience. She relaxation and joy in them felt right from the beginning of the concert, slowly leading us through his songs with a steady hand and charm as an experienced storyteller yellow freight and actor who knows how to introduce the audience into your world. The evening was powerful without being loud, epic without being pathetic, lyrical without being tasteless, revolutionary without being tactful, theatrical without being affective mellow without being wedding, always allowing the song to breathe, when they could crowd. It did not matter if it was written 30 years ago or 5 years ago, or whether it was Ena Ruke, all sounded timeless, heating up the already hot and also cozy up to the top and Ruke apocalypse, said one of the band vostinski Balkan Brazil. yellow freight Ìbisî-calls to me was symbolic for Darko Rundek as an artist. We give Shane, the lone cowboy who always recalls the epic battle, and not yield to the audience when he asked again and sing some old songs for lifting hands in heaven. Darko Rundek just told them to not be annoying and sing Scarf silk, with the message of the chorus that he is free. The concert ended, but soon not wait another meeting with Darko Rundek Universal Hall in which all warmly recommend because you have mozhnpost calmly and without fuss to fully enjoy his songs, personality and character. Darko Rundek & Cargo Orchestra, Havana, 05.05.09 / photo by Ranti Darko Rundek & Cargo Orchestra, Havana, 05.05.09 / photo by Sasho
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